Love Halloween? Thank Gay Culture
Halloween is now an adult craze celebrated around the world. As my latest column for CNN points out its global appeal has its origins in gay culture.
Halloween used to be a children’s holiday but is now an adult craze. And it's celebrated not just in America but around the world. As my latest column for CNN points out its global appeal has its origins in gay culture:
To understand the global appeal of the Halloween holiday, go back to its origins. Those origins are found not in mystic Celtic folklore, but in modern gay culture.
Halloween is overwhelmingly an adult holiday. This year, for example, Americans spent an estimated $800 million on costumes for children, $1 billion on costumes for adults. Where did that adult dress-up party begin?
As best we can tell: in San Francisco's Castro neighborhood. In the 1970s, that neighborhood emerged as the heart of a new home-owning, bourgeois, coupled gay community. A local variety store had long sponsored a Halloween street festival for kids. In the 1970s, the street festival transitioned into an adult party of lavish costumed theatricality. The "Sisters of Perpetual Indulgence" -- a troupe of transvestite nuns -- got their start here.
The Castro Halloween party spread to other gay neighborhoods in the 1980s: Greenwich Village, West Hollywood, Key West, Florida. In 1994, University of Florida anthropologist Jerry Kugelmass published a book on the new trend, "Masked Culture," describing Halloween as an emerging gay "high holiday."
And after a while -- the straights imitated.
From the spread of disco in the 1970s -- to the habit of paying money for sparkling waters such as Perrier -- culminating in Halloween, gays have incubated and developed major cultural trends. Straights adopt, and then ungratefully forget whom they are adopting from -- just as American Christians forget how much of the modern Christmas music they enjoy was written by Jews, starting with the most popular of them all, Irving Berlin's "White Christmas." The majority culture forgets what the minority culture has produced.
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